




Baséll will be a community hub offering food and essential goods distribution, free workshops and after-school programs, housing support and local service guidance, as well as meetings, debates, and an open space for new ideas and community initiatives.
Driven by the energy of several local associations—and aware that this is just the start of a long journey of listening and dialogue with the neighborhood—the project aims to create a steady presence in the area and build meaningful connections between residents, associations, and small local businesses.
The crowdfunding campaign made it possible to open and equip Baséll, and to launch the first year of activities designed to bring the space to life and strengthen community bonds.


















Grattala was born from the desire to create a gender-focused space that fosters genuine encounters, dialogue, and collaboration among emerging artists, professionals, and the public, a place for new connections and shared reflections to take shape.
My role: co-curation and co-design, production and set-up, artists coordination and hospitality, and photographic documentation.
In the ten events held so far, the program has brought together performances, music, stand-up comedy, theater, readings, and moments of reflection and dialogue, fostering discussions and exchanges that are often hard to create elsewhere.
Initially aimed exclusively at a female and non-binary audience, the project has gradually expanded its reach.
We imagined Grattala as more than just events—a place to come together, take part, and dive into meaningful topics, creating a series of events that have been engaging, heartfelt, and at times, truly necessary.




















A series of creative workshops exploring a wide range of media: from music and sound to play, print, and drawing, developed in collaboration with independent organizations, museums, and universities. The workshops bring together diverse audiences, sometimes blending children, teens, students, and adults in shared creative experiences.
My role: co-design of the workshop programs, management of relationships with partners and participants, coordination of production and support for workshop facilitation, and photographic documentation of activities.
Often centered around a specific theme, the workshops are born from a desire to spark new ways of seeing and perceiving the world. They follow a collaborative, horizontal approach, prioritizing exchange and dialogue over one-way teaching.
Each session is designed as an opportunity for co-creation and mutual discovery, where research and initial inputs serve as a starting point for collective exploration, alternating hands-on practice with moments of shared reflection.














Musical, recreational, and entertainment events, carried out in various settings: as part of collective projects, commissioned by external organizations, or as fundraising initiatives. Held in both private contexts and urban spaces, they aim to promote participation and social interaction by experimenting with creative, shared, and interactive formats.
My role: co-design, production and setup, photographic documentation.
Some events are part of longer, structured programs within participatory co-design projects, while others are “spot” interventions created for specific moments or temporary initiatives.
Audiences vary from session to session: children, young people, adults, families, or mixed group, but all events share music, play, and interaction, encouraging engagement and a renewed sense of shared experience.
Baséll will be a community hub offering food and essential goods distribution, free workshops and after-school programs, housing support and local service guidance, as well as meetings, debates, and an open space for new ideas and community initiatives.
Driven by the energy of several local associations—and aware that this is just the start of a long journey of listening and dialogue with the neighborhood—the project aims to create a steady presence in the area and build meaningful connections between residents, associations, and small local businesses.
The crowdfunding campaign made it possible to open and equip Baséll, and to launch the first year of activities designed to bring the space to life and strengthen community bonds.
















Grattala was born from the desire to create a gender-focused space that fosters genuine encounters, dialogue, and collaboration among emerging artists, professionals, and the public, a place for new connections and shared reflections to take shape.
My role: co-curation and co-design, production and set-up, artists coordination and hospitality, and photographic documentation.
In the ten events held so far, the program has brought together performances, music, stand-up comedy, theater, readings, and moments of reflection and dialogue, fostering discussions and exchanges that are often hard to create elsewhere.
Initially aimed exclusively at a female and non-binary audience, the project has gradually expanded its reach.
We imagined Grattala as more than just events—a place to come together, take part, and dive into meaningful topics, creating a series of events that have been engaging, heartfelt, and at times, truly necessary.




















A series of creative workshops exploring a wide range of media: from music and sound to play, print, and drawing, developed in collaboration with independent organizations, museums, and universities. The workshops bring together diverse audiences, sometimes blending children, teens, students, and adults in shared creative experiences.
My role: co-design of the workshop programs, management of relationships with partners and participants, coordination of production and support for workshop facilitation, and photographic documentation of activities.
Often centered around a specific theme, the workshops are born from a desire to spark new ways of seeing and perceiving the world. They follow a collaborative, horizontal approach, prioritizing exchange and dialogue over one-way teaching.
Each session is designed as an opportunity for co-creation and mutual discovery, where research and initial inputs serve as a starting point for collective exploration, alternating hands-on practice with moments of shared reflection.














Musical, recreational, and entertainment events, carried out in various settings: as part of collective projects, commissioned by external organizations, or as fundraising initiatives. Held in both private contexts and urban spaces, they aim to promote participation and social interaction by experimenting with creative, shared, and interactive formats.
My role: co-design, production and setup, photographic documentation.
Some events are part of longer, structured programs within participatory co-design projects, while others are “spot” interventions created for specific moments or temporary initiatives.
Audiences vary from session to session: children, young people, adults, families, or mixed group, but all events share music, play, and interaction, encouraging engagement and a renewed sense of shared experience.